I always enjoy these, but from mine i felt lacking. I normal feel like, 'yes, progress has been made by doing this', but no. i don't know why, not much was said about my work, perhaps it is because i was the first one to present my work so people hadn't got in the 'zone'? but i don't know.....this might also be due to the fact that i'm reading 'Perks of being a wallflower' and my out look on life is being a bit downer'ish haha...
Anyway, to summarise what was said:
Anyway, to summarise what was said:
- The things that are pixlelated, makes it unclear what is moving, just the film itself or the actual body. On the left hand side of the head/ body film it is too pixlelated, what happens when you cut off that side? ....i will attempt this.
- It makes people feel uneasy. Makes them feel as though something is crawling over the body or that something is going to burst from it. Reminded someone of Tarkovsky's 'nostalgia' when the birds are released from someones body.
- As they looked at the mutant toes, they kept expecting something bad to happen. it made them think of a corpse or a victim. yet it also felt dreamy, she seemed comfortable.
- they were conscious of not blinking as they didn't want to miss something. I LIKE THIS
- the glitchy streaming lines either need to be more intense or not there at all.
- the work felt complete
- Because of there being not face, people couldn't connect which found hard. I LIKE THIS
- It looked like a piece of documentation from something, something vintage, around the 1950s. I want it to be ageless? YES
- We are still with the film, reflecting it in anticipation. I LIKE THIS
- perhaps the less information the better with the description next to it. Don't tell the people the duration of the film.
- Play with its position, size, shape, what it is projected on to.
- The iceland paillion in Venice was apparently mesmeric.
- Perhaps play with the glitch and flaws, and this will allow for certain change.
- think about sound when entering in, change the volumes around to see what fits.
- Alvin Lucier is a music man who sees how sound works in different environments.
- My work looks at the idea of the copy, yessss