| There is a satisfying subtlety to this, and it's an 'i don't want to look away in case of missing something'. I enjoy watching this piece, however, i would want to slow it down again, so much move. Really drag out the change in colour. See how long i can leave it for. I am unsure how i feel about the reverse back to black. But i like it in a way that it makes me think of breathing. On the way it it gains colour, and on the way out it looses it - even though this runs slower than breathing. But this then transcends you into a place of breathing calmly with the work. It settles you. |
| Again i feel that this colour be longer/ slower. And has the same effect of not wanting to look away. Even though the piece is dissolving, it doesn't give a sense of decay or rotting. But something more like a memory that is fading. You are loosing something here. |
| From dissolving out, i really liked how silvery the skin went when it was semi translucent. Then i thought about just having that as a film. She is there with you, but also not. There is an expectancy about this film. You are both waiting for her to move on but also stay with you. This agin doesn't remind me of someone who is rotting away, but rather being forgotten. And i find myself asking her to stay with me, and to come back to memory and life. I think this is my favourite out of these three here. |