Doyle works with model scale and openly shows and acknowledges this. When i am working with model sizes, i am always put off if people determine themselves the scale that i am working with - Doyle embraces it. It is then because of this, that he almost throws the rules out and enables you to believe that it could be real and start working out what has been going on within the scene. Doyle places his work in unusual setups. Some of his pieces are placed on plinths, but they always have a glass outer shell. It creates a feeling of you playing god over his work. There is a sense of fragility brought forth by the connotations with glass. For me it opens the ideas that people that live in glass houses shouldn't throw stones, this saying in relation to his work suggests to ,me that we should not just what is happening here. Some of his other sculptures have been placed between walls and you are almost breaking into the work and have made the scene freeze by you doing so. His work is based around the theory of memory and creating work which is almost dreamlike, "fog of time".
Like i have been doing with my film work and sculptures, creating scenes of uncertainty, i want to also embrace openly showing that my work is of a small scale. Because of this i will have a go at creating interiors out of dolls house furniture. These scenes will hopefully have something unpleasant and unsettling about them in the way in which i film them. At the moment i am unsure as to whether i believe these pieces will work because of you being able to tell the size, but like Doyle i need to embrace this. On another side note, his use of the underside of his sculptures/ below ground level is interesting, and that might be something worth looking into/ pursuing.
Like i have been doing with my film work and sculptures, creating scenes of uncertainty, i want to also embrace openly showing that my work is of a small scale. Because of this i will have a go at creating interiors out of dolls house furniture. These scenes will hopefully have something unpleasant and unsettling about them in the way in which i film them. At the moment i am unsure as to whether i believe these pieces will work because of you being able to tell the size, but like Doyle i need to embrace this. On another side note, his use of the underside of his sculptures/ below ground level is interesting, and that might be something worth looking into/ pursuing.